movie comment: cadillac records

k. so i saw the movie. . .
i was so impressed! i guess because i didn't expect it to be good (i actually cringed in anticipation of beyonce's first line when she came on the scene) but i really liked it! adrian brody was great. the surprise (to me) appearance of cedric the entertainer is always welcome. jeffrey wright was (and is always) great--you can tell he really studied muddy waters! beyonce held her own--they made her sing more than they let her talk, but when she was talking, she got over that tendency she has to sound like she's reading. you can tell she really tried to channel the emotions of each scene. although i have to say, beyonce is and always will be beyonce. her 'people' have put us on so much beyonce overload that she will never be able to transcend her beyonce-ness the way jamie foxx was able to stop being jamie foxx and actually become ray charles. when i look at her, i see beyonce--no matter how many etta mannerisms she studied and adopted. which kinda sucks for any potential acting career she may have wanted. sorry b!
anyway, i really liked it and was intrigued bc i only knew a little about these people--muddy waters, chuck berry, etta james are people i know to respect but didn't know their stories (to my credit, i do have 2 etta james songs on my ipod). and i hadn't even heard of little walter (who knew columbus short was that cute??) or howlin' wolf. it was a very entertaining movie. i barely got the wiggles that i get whenever i see a movie in the theater (i have always had an issue with doing nothing but sitting and staring at a screen for 2 + hours). it was a learning experience for me!
in order to enjoy this movie, you have to realize what it is and what it isn't. it is the story of the rise and peak of cadillac/chess records. it isn't the etta james story, the leonard chess story, the chuck berry story, etc. it isn't a story about the time period that all this was happening in. so you will be left wanting more context and more details about the lives of these individuals. you only learn enough about them to either know their contribution to the label, their motivations, their weaknesses/tragic story, and maybe their downfall if it occured at the same time as the peak of the label. they couldn't fit everyone's story in that short timespan, but it was great for telling the story it was trying to tell. i also think i just love the feel of the music from that time period, it made me want to have the soundtrack and an etta james album by the time it was all over with. the bf says it was too much of a musical not to be a musical. . .i think you couldn't tell the story without the music, but that doesn't necessarily mean it had to be a musical! idk, maybe i liked it bc i didn't expect much, but i definitely liked it. you have to go see it. . .even if you don't love it, you won't hate it.
this, ladies and gentlemen, is the history of rock and roll. . .

ps- pay very close attention to your ticket. they are doing that thing again where they don't give the movie its sales--my mom's ticket was for the transporter movie, or something like that.

power to the people?

my thoughts have been provoked by the news of the dismal opening of the movie cadillac records. i admit that i had very little interest in seeing this movie in theaters. i love beyonce as a singer and performer in that capacity, but her acting has always left much to be desired--as does almost anything where i have to listen to her talk, unfortunately. i hadn't heard much about the movie--i read more posts about the cast and premiere parties in blogs than i've seen commercials for the movie. but i felt guilty when i heard about the poor showing at the opening. this movie had black star power--jeffrey wright, gabrielle union, the mighty mos def (swoon!), and of course beyonce (who gained weight for the role--you guys know how hard it is for that girl to stay in shape, so this was a super important role!) and it chronicled the rise of chess records, which gave us important black singers like etta james and muddy waters. in short, the movie was black history and pretty much coonery free--it portrayed the kind of images of black people that we say the big (and small) screen is lacking. so why weren't we out in droves to support it? this is the same problem the great debaters, eve's bayou, and other movies about black firsts/history have.
i get it. people like to laugh, comedies tend to do well across the board. but in a barack obama era--why can't we pull large audiences without shucking and jiving, killing each other, a man in a dress, cooning, or movies produced by a man in a dress? white people have always loved to laugh at us--we were allowed to entertain them long before we were allowed to drink from the same water fountain as they were. and true to form, they will still turn out in droves to see movies where we are cooning, thus inflating the box office numbers . . .i'm not really talking about them, but about us. we can't complain about bet, mtv, and other derogatory forms of black entertainment if we won't support the few times someone breaks through and can get funding for a movie that shows us in a positive light. if as many of us would have put secret lives of bees at the top of our priority list the way we did sex and the city, it would have done much better. if we were as excited to see denzel in the great debaters as we were to see him in training day, we would have been sending a message. we aren't doing a good job of letting studio executives know that we mean it when we say we want to see positive black images and we don't need a laugh track or a punchline to support it.
therefore, i will suck it up and go see cadillac records. it might not mean much, but it makes me feel like i'm doing my part so i can feel good about complaining about the lack of real, positive 'us' to go with my popcorn

oh b. . .

i really wish i could like this song. it's like it's trying to be 'get me bodied's little sister (and we all know how i love get me bodied--the extended version!!) with the attitude of "freakum dress". . .but i just can't. however, as i've already confessed, even tho i dislike it now, i'm sure i will end up liking it later. sigh.

*update: the song was in stuck in my head by the end of the week. . .and i was dancing to it in the club like it was my jam that friday. darn you beyonce!*